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This 2-hour film is recommended for mature tweens and up. Join us for an evening of education and fellowship with like-minded community. a never more relevant forensic examination of the 1986 National Childhood Va((ine Injury Act and its consequences. Before the ceremony at the Sydney Opera House, he told this reporter with a laugh that he remembered dancing in a lap-lap - “naked!” - for the Queen when the famous building opened in 1973.Presenting a film by Andy W a k efield - 1986: The Act He was made a Member of the Order of Australia (AM) in 1987, was awarded a Centenary Medal for his Australian contribution to society in 2001 and won the Australia Council’s Red Ochre Award for his contribution to Aboriginal arts in 2013. Asked what he wanted to achieve, he said: “I want to do something not only for me but I’m doing it for Australia and for my people and for our culture”. Such was Dalaithngu’s early fame that he appeared on This Is Your Life when still in his late 20s in 1979. Luhrmann says that making Australia, he “surfed off the energy of his wisdom and his sense of the land and who he was. His passing will be something that the entire nation will go, ‘what a loss’.
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“I don’t think we can understand quite enough what he has brought to this country in terms of being a storyteller from a culture of storytelling,” he says. While wrongly credited as David “Gumpilil”, his performance brought international attention. He discovered Dalaithngu, who was then aged about 14, though the actor admitted late in life that he did not know exactly how old he was. His life changed when British director Nicolas Roeg visited the remote north, seeking to cast the role of an Aboriginal boy who helps a teenage white girl (Jenny Agutter) lost with her younger brother (Lucien John) in the outback for Walkabout.
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The name “David” was given to him by missionaries. his intelligence, his knowing, his cheekiness.”Ī Yolngu man of the Mandjalpingu clan in Arnhem Land, he grew up with a largely tribal lifestyle in the bush as a twin, to Mary, as well as going to school in Milingimbi and Maningrida. “But it wasn’t until I watched that you go ‘that’s acting’. “My hero when I was growing up was Doris Day,” she says. Well-known Indigenous writer, director and actor Leah Purcell says she learnt subtlety from Dalaithngu. As long-time friend Jack Thompson has said, there was only Robert Tudawali in the 1955 film Jedda before him.ĭalaithngu in Rolf De Heer’s film The Tracker (2002). While Dalaithngu was also a dancer, singer and painter, his acting career brought many accolades, including best actor for The Tracker at the Australian Film Institute Awards and best actor for Charlie’s Country at the Cannes Film Festival’s Un Certain Regard section, Australian Cinema and Television Arts Awards and Asia Pacific Screen Awards.īut Dalaithngu’s impact was the profound sense of culture and connection to Country that he brought to his performances and the way he blazed a trail for other Indigenous actors and filmmakers. His notable television roles include The Timeless Land (1980) and The Leftovers (2017), and he has been the subject of more documentaries than probably anyone in the country, including Gulpilil: Man of Two Worlds (1979), Walkabout To Hollywood (1980), Gulpilil: One Red Blood (2002), Another Country (2015) and My Name Is Gulpilil (2021).
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On stage, he shone in the autobiographical one-man stage show Gulpilil, which was directed by Neil Armfield and premiered at the Adelaide Festival in 2004. And he reached new heights when cast in lead roles for the first time in his 40s by director Rolf de Heer, playing a conflicted tracker in The Tracker (2002), narrating the comic drama Ten Canoes (2006) then playing an Aboriginal elder whose life falls apart in Charlie’s Country (2013). He was compelling as the wise Fingerbone Bill in Storm Boy (1976) and as tracker Moodoo in Rabbit-Proof Fence (2002).